Sydney siders can grumble about this year’s lack of a real summer yet nothing can stop time; here in the Southern Hemisphere the days are regardless getting shorter and the nights longer. We don’t even have seasonal perks such as autumn turning our green streets into an explosion of yellows, ochres and browns, neither do we get mulled wine or street roasted chestnuts but we make do with warm ocean temperatures, pink sunsets and even tempered weather. Still, autumn remains one of the hardest times to dress for; it can be surprisingly cold in the morning and boiling hot in the afternoon so wearing pieces that work for both is a godsend. I partnered with the Australian label Backstage to bring you a transeasonal edit of their collection - perfect for the upcoming months. These are items that you can buy now, then when days get cooler, layer with additional pieces and still be on trend
Above: It’s all in the details - emulate Brigitte Bardot in a simple black playsuit with beautiful split cut bell sleeves then pair with knee high boots and a fisherman’s hat to complete the look . Perfect with a vintage fur bomber in winter ( Backstage playsuit, vintage Martin Margiela boots, greek fisherman’s hat)
This season, dare to bare…shoulders that is! Showing a rounded back, sleek neck or tanned clavicle is one of the strongest fashion trends of this season. This dress is relaxed elegance with it’s pretty stripes, tie front, loose sleeves and off the shoulder prettiness... throw a cashmere turtleneck over it when the sun goes down
Wine, burgundy, ochre - get a headstart on autumn by implementing muted reds into your palette then add a heavy coat over this look when mornings get frosty ( Backstage top, choker and skirt, Lack of colours hat and vintage Martin Margiela boots )
A pretty slip is a parennial wardrobe staple and an all time favorite - this baby sports a scooped out back and peek of a thigh to boot. In autumn I love to throw on a long grungy angora cardigan over for warm cred ( Backstage slip, Proenza Schouler mules)
Photographed by Alice Wesley-Smith
